Light is the most important element in photography. Even the term itself
means "writing with light". Light determines how your photographs
will look. It will define texture and structure of your subject. Creative
use of light will allow us to add three-dimensional feeling to the flat,
two-dimensional world of the photographic medium. Even light itself can
be the subject of a photographic image. By understanding the impact of light,
you will be able to have a more creative approach to your photography.
The quality of light refers to direction, character of the source
(directional or soft / diffused), and tonal value (colour). Directional
light of a bright,
sunny day will bring out the texture and form of your subject. However,
direct light will also increase contrast by enhancing bright highlights
and deepening the shadows. It will define sharp edges in your images
and produce a three-dimensional feeling to the image by creating the
illusion
of depth.
Direction of hard light on a sunny day is also important. It depends on
the camera position in relation to the subject and position of the sun in
the sky. The least appealing use of a light source is when it is directly
shining over your shoulder (front lighting). This produces a flat, brightly
lit subject that reveals little in terms of texture and form. There will
be no shadows to produce the illusion of depth, or there will a be a strong
shadow directly behind your subject (think of the photographs you took with
a flash attached directly to your camera).
Side lighting is when the light source is at an angle to the photographer's
viewpoint. Presence of brightly lit highlights and dark shadows create a
strong contrast, giving a well defined form to your subject. Side lighting
will bring out the surface texture in animal fur and the illusion of depth
in landscapes. If you can not move around and position yourself to take
advantage of side lighting, just choose a different time of the day to take
your photograph. Look at the two examples above. The photograph on the left
was taken in early morning hours. The sun was low on the horizon, casting
long, soft shadows.
The sailboat was on exactly the same course in second photograph. The only
thing that changed was the time of the day the photograph was taken. Strong,
late afternoon light caused shadows to be better defined, and be positioned
on a completely opposite side of the boat. The sun was approximately 45
degrees on the left, giving a combination of front and side lighting. Compare
the two images and look for differences. Which image provides better illusion
of depth? Three-dimensional form? Can you see all details of cockpit or
anchor winch in both photographs?
Back
lighting is when the light source is directly behind the subject. Quite
often the effect will be dramatic. This is the most difficult situation
for proper measurement of exposure in highlight and shadow areas. However,
the rewards are well worth the effort. Striking graphic effect of silhouettes,
or soft rim lighting are examples of effects when this type of light source
is used.
If you set up the camera exposure to properly capture detail in bright
areas for rim lighting (like model's hair in photograph on the left), you
run the risk of blocking out details in shadow areas. On the other hand,
if you try to adjust your exposure to capture minute shadow details (model's
face), it is easy to completely overexpose the highlights. You either have
to decide which element in your photograph is important and sacrifice the
rest, or bring in additional light to brighten up the shadows. This can
be accomplished by using any kind of reflective surface, or a fill-in flash.
Part 2: diffused light and tonal quality (colour)